Xanga misses me. Really. It's nice to be missed. Maybe just not by a computer program wondering if you're ever going to post again. This is the second e-mail I've gotten from them begging me to come back to Xanga world. I ignored the first one. Deleted it even. But, growing soft in my old age, I've caved to the second e-mail. Probably because I'm on Spring Break and actually have some time on my hands. I'm not sure why I don't post much. I guess it's that I just seem to have other things to do. Like read. Or watch a movie. Or sleep. My sister also writes once or twice a day and I don't feel the need to add to what she says. Except that she lives in Boston and doesn't actually write about stuff that happens to me. I'm like that with pictures--my two sisters are flashing their cameras around, so I don't feel like I have to pull out a third, identical camera myself. However, when I'm not with my sisters, I tend to forget to whip out the camera anyway and I end up without pictures. And without blog posts.
So, after that long preamble, shall I update you, my faithful reader, on my recent life? I'm a junior theatre major at Cedarville University (yes, theatre is the snobby way to spell it. One freshman said he was attracted to Cedarville because we spell theatre correctly). I have yet to debut on stage, but I am learning a lot about the rest of theatre. Before I came to school, I had never done anything but act. Now, I have worked on and crew-headed costumes and props, house managed, operated the light board, and been the dramaturg. I have learned how to design and make props from scratch; how to design, hang, focus, and program a light design and set it to music; design and draw (in perspective) and make a model of a set; research and write about a play, it's time period, themes, reviews, and author; find inexpensive props and talk a boutique worker into giving me an unpriced nice silver tea pot for the same (inexpensive) price as another tea pot; get people to lend me furniture or rent to me even though they have a policy to not rent out ever; find furniture Friday morning for a performance that opened that night; find, organize, and oversee ushers; deal with audience and seating problems; give presentations to the audience and cast about issues regarding a play, its author, or time period; rent, re-size, fix up and make costumes; sew things without a pattern (just make it look like that dress over there); design make-up and implement it (sort of--I was bad at that part) for specific characters in specific plays; and numerous other things that I can't even think of now. Next year, I really hope to stagemanage and intern at a company that brings arts to schools. Then I think that I will have experienced most of the sides of theatre that I need to know in order to do what I want to do. If you don't know, my goals for a theatre career are to bring theatre programs to economically underprivileged schools that can't afford and haven't had theatre programs. There are a lot of life lessons to be learned from theatre about discipline, self-confidence, and team work.
So, I guess not getting cast has been good for me. Humbling, yes. Frustrating, yes. And even though I might grumble and complain and cry and feel absolutely devastated (I hope no teachers are reading this) almost every time I fail at an audition, I've learned a lot about myself and theatre because of it. I've learned that I can live without acting. I've learned that I can still be involved and that I like being involved, even if it's not on stage. I've learned that I'll never be a star and that my skin isn't thick enough to attempt Hollywood or New York. I've learned that I like working with other people as a director. And I've learned how to do so many things back stage that I would never have attempted if I had been on stage. I've learned to be happy for people who get parts, to be able to genuinely congratulate them (just give me a day to get over my disappointment) .As I told one of my teachers, I've learned so much because I haven't been on stage. And for me, that's good. Just remind me of that perspective next time I audition and don't make call backs. It's not about me. It's about what I've been able to learn. It's about doing my absolute best no matter what capacity I'm in. It's about teamwork, not about star power. Maybe the actors are more visible, but my work is just as vital. And if I'm in it just for the affirmation of others, I've chosen the wrong field. Theatre is about making good art. Not about individuals, but about the team. Humility is good. I'm just still learning that.
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